geekgirl

“INSERT COIN Videogame Exhibition in Siracusa, IT” [#geekgirl]

“Our project so far - We decided to bring to life one of the projects we’re working on during 10 years of research and archiving: a Museum of working computers, a place where people can, both physically and remotely via Internet, enjoy using historical computers, know their history, learn basics of electronic and computer science, and share a piece of our history. A place where to conserve, repair, preserve in digital format and share our heritage, made of hardware but also documentation, software, electrical schemes, books, manuals and media of various kinds.”

Computer Virus Catalogue [#geekgirl]

[Via computerviruscatalog.com]

An Illustrated Guide To The Worst Viruses In Computer History.

“When Does A Woman Owe You Sex?” [#geekgirl]

[Image Credit: mic.com (by Raquel Reichard)

Call: Papers on TechnoShamanism [#geekgirl]

“CALL FOR PAPERS FOR BOOK ON TECHNOSHAMANISM

“50 Essential Feminist Films…” [#geekgirl]

[Image Credit: flavorwire.com]

“Real Cheese From A Lab, No Cow Necessary” [#geekgirl]

[From this article at TechCrunch] “Vegans who miss the creamy taste of real cheese, rejoice! A group of biohackers from Counter Culture Labs in Oakland, Calif., and BioCurious in Sunnyvale, Calif., are using baker’s yeast to produce the world’s first cheese that did not originate from milk in the udder of a cow.

Most vegan cheese is soy or nut-based and doesn’t taste much like cheese at all. If you’ve been vegan for awhile you may not remember the creamy, salty, delicious taste of a good sharp cheddar or the pungent stink of Limburger or Brie. That’s all about to change for you, thanks to science.”

Call for Papers for Special Issue on Feminism and (Un)Hacking [#geekgirl]

Journal of Peer Production (JoPP)
Call for Papers for Special Issue on Feminism and (Un)Hacking

Editors:  Shaowen Bardzell, Lilly Nguyen, Sophie Toupin

There has been a recent growth in interest in feminist approaches to
practices like hacking, tinkering, geeking and making. What started off
as an interest in furthering representations of women in the technical
fields of computer science and engineering, often along the lines of
liberal feminism, has now grown into social, cultural, and political
analyses of gendered modes of social reproduction, expertise, and work,
among others. Practices of hacking, tinkering, geeking, and making have
been criticized for their overtly masculinist approaches, often anchored
in the Euro-American techno-centers of Silicon Valley and Cambridge that
have created a culture of entrepreneurial heroism and a certain
understanding of technopolitical liberation, or around the German Chaos
Computer Club (CCC).

With this special issue of the Journal of Peer Production, we hope to
delve more deeply into these critiques to imagine new forms of feminist
technical praxis that redefine these practices and/or open up new ones.
How can we problematize hacking, tinkering, geeking and making through
feminist theories and epistemologies? How do these practices, in fact,
change when we begin to consider them through a feminist prism? Can we
envision new horizons of practice and possibility through a feminist
critique?

In this call, we understand feminist perspectives to be pluralistic,
including intersectional, trans, genderqueer, and race-sensitive
viewpoints that are committed to the central principles of
feminism–agency, fulfillment, empowerment, diversity, and social
justice.  We refer to the term hacking with a full understanding of its
histories and limitations. That said, we use it provisionally to
provoke, stimulate, and reimagine new possibilities for technical
feminist practice. Hacking, as a form of subjectivity and a mode of
techno-political engagement, has recently emerged as a site of intense
debate, being equally lauded as a political ethos of freedom and
slandered as an elitist form of expertise. These fervid economic and
political ideals have been challenged and at times come under attack
because they not only displace women and genderqueer within these
technological communities but, more importantly, because they displace
gendered forms of reflection and engagement.

Drawing on a growing community of feminist scholarship and practices, we
hope to build on this momentum to invite submissions that
reconceptualize the relationship between feminism and hacking. We aim to
highlight feminist hackers, makers and geeks not only as new communities
of experts, but as new modes of engagement and novel theoretical
developments. In turn, with this special issue, we hope to challenge
both concepts of feminism and hacking to ask several questions. How can
feminist approaches to hacking open up new possibilities for
technopolitics? Historically, hacking discourses center on political and
labor aesthetics of creation, disruption, and transgression. How can
feminist theories of political economy push technopolitical imaginaries
towards alternate ideals of reproduction, care, and maintenance?
Conversely, we also ask how notions of hacking can open up new
possibilities for feminist epistemologies and modes of engagement?

We seek scholarly articles and commentaries that address any of the
following themes and beyond. We are also interested in portraits,
understood broadly, of feminist hackers, makers and geeks that help us
better understand feminist hacker, maker and geek culture. We also
solicit experimental formats such as photo essays or other media that
address the special issue themes.

•        What is distinctive about feminist hacking or hackers?  How
does feminist hacking practices help create a distinct feminist hacking
culture?

•        Why are feminist hacking practices emerging? Which
constellation of factors help the emergence of such practices?

•        What do we know about the feminist hacker spectrum? i.e. what
are the differences among feminist hacking practices and how can we make
sense of these distinctions?

•        What tensions in hacking and/or in hacker practices and
culture(s) come to the fore when feminist, anti-patriarchal,
anti-racist, anti-capitalist and/or anti-oppression perspectives are taken?

•        What does feminist hacker ethic(s) entail?

•        What kind of social imaginaries are emerging with feminist
hacking and hackers?

•        What kinds of hacking are taking place beyond the Euro-American
tradition?

Submission abstracts of 300-500 words due by September 8, 2014, and
should be sent to femhack@peerproduction.net.

All peer reviewed papers will be reviewed according to Journal of Peer
Production guidelines; see http://peerproduction.net/peer-review/process/.

Full papers and materials (peer reviewed papers around 8,000 words and
testimonies, self-portraits and experimental formats up to 4,000 words)
are due by January 31st, 2015 for review.

“Women in Art and Technology” Part 2 [#geekgirl]

“A.I.R. Gallery and 2013–14 Fellowship Artist, Amelia Marzec, are pleased to announce the second installment of “Women in Art and Technology,” an evening of presentations, discussion, and exhibitions.

Technology is the medium we use to communicate today, but we still experience a gender gap and a generation gap in terms of women’s participation in technology as a creative medium. A.I.R. Gallery invites artists, curators, creative technologists, critics, historians and researchers with an interest in women, art, and technology to join us on July 22 for an evening event. We’ll talk about women trailblazers in new media; enjoy presentations and exhibitions by digital artists; and hold a roundtable discussion to consider these issues within the larger context of the history of art. Our interest is in creating a platform for further conversations and participation at the first all female cooperative gallery in the United States.”

Dawg Heaven [#geekgirl]

Dog Heaven [via Imgur]

Too True, Andrew Denton [#geekgirl]

Well said Andrew Denton. #abcnews24 #auspol pic.twitter.com/0BG90KWh9F

— Matthew Esler (@mezla) July 13, 2014