03 PM | 24 Jun

Interview with Constant Dullaart [#geekgirl]

[Via Happy Famous Artists]

[Via Happy Famous Artists]

[From Happy Famous Artists] “Entering Constant Dullaart’s show Stringendo, Vanishing Mediators at Carroll/ Fletcher is like stepping into a Matrix. An immersive world where Photoshop filters, brushstrokes, masks and marching ants come to life in unexpected forms, where Google search box recites its Terms of Service in a seductive voice and where a lonely piano plays an autistic version of Together in Electric Dreams.”

12 PM | 24 Apr

2059: FutureCoast [#geekgirl]

[FUTURECOAST: Image Via Fast Company]

[Image Via Fast Company]

[Via Fast Company] “FutureCoast, launched in early February with the help of a National Science Foundation climate education grant and Columbia University, has at least a hundred other messages like the Last Lobster. Some are funny: Like the one woman in the seaside town of Brighton who can’t get home because the tide’s gotten too high and needs to seek shelter in a “flotel” for the night. Others are devastating. In one message, a woman with a trembling voice asks her friend in government if he might be able to help her locate her partner, who’s gone missing after having gone to interview protesters at a “refugee rights” demonstration.

The emotional tenor and imagination of the messages range widely, but the futures aren’t actually that far off. In the FutureCoast world, voice messages are leaking into the present day from futures between 2020 and 2065. And some, like the disappearance of certain flora and fauna, mass political unrest, and water shortages, are incredibly realistic–just go and read the latest IPCC report.”

05 PM | 07 Mar

#Transfield Quits the @biennalesydney [#geekgirl]

[As reported by The Guardian in this article] ‘The chairman of the Sydney Biennale and of its major sponsor Transfield Holdings, Luca Belgiorno-Nettis, has resigned his position with the festival.

Organisers have announced that they will cut all ties with Transfield Holdings and with Transfield Services, a contractor for Australia’s network of immigration detention centres.

“We have listened to the artists who are the heart of the Biennale and have decided to end our partnership with Transfield effective immediately,” organisers said in a statement.

“With deep regret, the board reluctantly accepted the decision of the chair to resign. We gratefully acknowledge the personal contribution of Luca as chair over the past 14 years. We also acknowledge the enormous contribution of the Belgiorno-Nettis family over 41 years.”

Belgiorno-Nettis said in the statement: “I wear two hats: one as chair of the Biennale of Sydney and the other as a director of Transfield Holdings; both organisations conceived by my father and nurtured by my family over many decades. I am deeply thankful to the many friends of the Biennale, and my personal friends who have supported me and the teams throughout my tenure, especially in recent weeks.”’