‘Recognition’ is a film featuring First Peoples fashion starring actor Tasia Zalar and model Nathan McQuire, both from Melbourne. ‘Recognition’ is set against Hong Kong’s iconic cityscape and draws parallels between Hong Kong and Melbourne’s urban design culture.
The fashion film by the same name will also premiere in Hong Kong. Philip Boon is the film’s Creative Director and it was shot in Hong Kong by Helen Clemens. Enjoy the teaser!
Recognition is one of a series of exhibitions and events that will showcase the breadth and innovation of #Melbourne fashion design in Hong Kong. Around 90 local fashion designers will feature across the program which spans men’s and women’s wear, accessories, millinery, costume design, and more.
The Melbourne Fashion Showcase runs from 1–9 December 2018 in Hong Kong.
ERROR – The Art of Imperfection” opens on 17 November 2018 and can be experienced until 17 February 2019. (Linz/Berlin)
ERROR – The Art of Imperfection
Every child learns in school to avoid mistakes. To err may be human, but that doesn’t make it desirable. On the contrary – we spend our whole lives trying to downplay, correct, mitigate or cover up our mistakes. A Sisyphean task, considering that ERROR is a constant presence in our lives. At the same time, it is the very mistakes and failures we fear that repeatedly give rise to celebrated innovations, fostering new things and the progress that goes along with them. “ERROR – The Art of Imperfection” takes an artistic approach to exploring what choices we have for taking action in this context or, to put it more precisely, what choices we must create.
Invisible and yet threatening. The EMAP/EMARE project “aqua_forensic” by Robertina Šebjanič and Gjino Šutić is investigating human pollution in the oceans. It is the result of their residency at Ars Electronica. The second Open Call for a EMAP/EMARE residency runs until December 3, 2018.
Ryoji Ikeda is a leading Japanese visual artist, sonic sound composer and Prix Arts Electronica Collide@CERN 2014 award-winner. His residency at the world’s largest particle physics laboratory enhanced his artistic interest in quantum dimensions and mathematical principles. data.tron (3k version) is part of Ikeda’s datamatics project, a series of experiments in various forms that seek to materialise pure data.
Via an immersive installation using light projection, computer graphics, dynamic visual effects and electronic noise, visitors will experience the vast universe of data in the infinite between 0 and 1. Intense yet minimal graphic renderings of data progress through multiple dimensions, as scrolling numeric digits give the impression of moving through a micro-cosmos.
Ikeda’s works have been featured in major museums, performing venues and festivals around the world and are highly regarded for their exploration of the tangent between music and mathematics, science and art.
Artspace Gallery, Adelaide Festival Centre 24 Oct – 10 Nov 2018
TUE – FRI 4pm – 9pmSAT 1pm – 9pm
Don’t miss this extraordinary audiovisual concert which combines abstract and mimetic presentations of matter, time and space – and invites you to perceive the invisible multi-substance of data that permeates our world.
Video is from Ryoji Ikeda’s exhibit at the Centre Pompidou Paris, 2018 and hosted on Vimeo.