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Being In The World #film #movie #geekgirl
Once upon a time there was a world full of meaning, focused by exemplary figures in the form of gods and heroes, saints and sinners. How did we lose them, or, might they still be around, in the form of modern day masters, in fields like sports, music, craft and cooking. Are these masters able to inspire us and bring back a sense of wonder, possibly even of the sacred?
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Some people are gay. Get over it!

Gaydalf?
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Discovered – Tina Modotti – #Photographer and #Revolutionary
In the exhibition “TINA MODOTTI – Photographer and Revolutionary”, KUNST HAUS WIEN presents a comprehensive retrospective of a legendary photographer who has still not received the attention she deserves. Tina Modotti, who was born in 1896 in Udine, Italy and died in 1942 in Mexico, was one of the most fascinating women of the 20th century. She became famous as a result of the photographs she created in Mexico in the 1920s and her involvement in the revolutionary movements of her time.
The exhibition traces the path of Tina Modotti’s life, which took her from Italy to California, Mexico, Berlin, Moscow, Paris, Spain and back to Mexico, and acquaints us with the people who were important to her, among them the photographers Edward Weston and Johan Hagemeyer, the author B. Traven and the artists Diego Rivera and Frida Kahlo. It also presents other photographers’ impressions of Modotti, who had started out as an actress in silent films, among them one of the most highly priced nude photographs in the history of photography, the image “The White Iris”, made by Edward Weston in 1921.
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Cherchez la Femme III: Feminism and Sport #melbourne #feminism #geekgirl

Description
Gear up for the third instalment of Cherchez la Femme: Feminism and Sport. Is the Australian obsession with sport an intractable problem for the feminist project? Is it just institutionalised aggression, bloodlust and body fascism? Or can it be a space in which women take power, channel their own aggression, and feel part of a community? The panel will be made up of athletes, fanatical consumers of sporting coverage, critics of the elite codes, sporting enthusiasts, game-goers and all manner of other feminists for a full and frank appraisal of how women fit in to a discussion about sport and our society.Speakers: Lisa Gye, boxer Mischa Merz, roller girl Genevieve ‘danger’ Berrick and Seb Prowse
Tuesday, July 6, 2010
7:00pm – 9:00pm
The Fox Hotel
351 Wellington St (cnr Alexandra Pde)
Collingwood, Melbourne, Australia
View Map
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Blood Rites of the Bourgeoisie by Stewart Home #books
Release 14 June 2010. ISBN 978-1-906012-23-6
Why does the art world hypocritically promote female creative talent but simultaneously fail to accord wimmin artists the respect given to their male counterparts?
When wimmin aged 20 to 40 make up the bulk of the audience for art in London, why are they so under-represented in top curational posts and how exactly does this glass ceiling operate?
Just what has happened to the feminist movement now that the likes of Madonna and Lady Gaga are being held up as role models for prepubescent and teenage girls?
Can the background to these and related questions be illuminated by taking penis enlargement spam and replacing the generic ’she’ and ‘her’ it invokes with the names of well-known artists and curators? Stewart Home believes the answer to this last question is “YES”, and so he used endless extreme fantasies about famous art world wimmin as the starting point of his outrageous new cyber-novel The Blood Rites of the Bourgeoisie!
Written in the second person and in part generated from spam emails, Blood Rites of the Bourgeoisie is a shot in the arm for prose fiction; and a kick up the backside for the male dominated London art world. More shocking than 5000 volts of unadulterated electricity! Or, as Malcolm McLaren put it after reading the manuscript on his death bed: “FEMINISM WITH BALLS.”
BTW: Blood Rites Of The Bourgeoisie also provides the low down on the run-up to the writing of the Belle de Jour blog and books.
Book Works £8.00.
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AFTRS Comedy Filmclub with Paul Harris #Melbourne
From slapstick, the irreverent wit of screwball, romantic comedy and the deadpan hilarity of the mockumentary join other film fans to learn and laugh your way through some wonderful films and fascinating discussions with Paul Harris.
Every Friday night
April 9 - May 21 6.30-9.30pm
2 Russell Street (corner of Flinders) Melbourne 3000
Cost: $290For more information and how to apply:
Website: wwww.aftrs.edu.au
Phone: 03 9602 8300
Email: aftrsopenprogramvic@aftrs.edu.au
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Dave Graney & The Lurid Yellow Mist @ The Republic #Hobart
DAVE GRANEY & THE LURID YELLOW MIST
plus local support The Native Cats (tbc)Saturday, April 24, 2010 at 9:00pm
Republic Bar, Elizabeth St, Hobart, AustraliaThe Lurid Yellow Mists’s cool soundtrack for “ we wuz curiouus” has made way for a 70s Americana acid groove swing,and although its billed as a solo effort, the Mists Clare Moore, Stuart Perera and Stu Thomas appear on KYO. They are a tight band, and with Graney’s chameleon qualities, oscillate from the Iggy Pop via David Lynch film score of “bodysnatcher blues” , the cinematic “So EasY’ to teh dark glam disco of “Dylan the Indie Fake”.
Graney is a modern zeitgeist (dare I say it) , almost Bowie -esque. The wonderfully epic “2068 Babe” closes the album with fuzz guitars,electronica and a chorus of tropical birds. Its a little bit Goldfrapp, kind of Hendrix, with a touch of Sun Ra and Pharoah Sanders, but in execution is pure Graney.
(Catherine Gale- Advocate – Tasmania)The Adelaide punk-scene dandy Dave Graney finally made it big at home in the 1990s, after years of celebrated obscurity. Today, acclaimed country-rock albums and lounge-music experiments behind him, he pretty much does as he pleases. Graney’s 22nd album finds him toasting seductively, Serge Gainsbourg-style, over pressure-cooked rhythm tracks from his long-term collaborator, Clare Moore, spiced with Stu Perera’s treacly blaxploitation guitar. “Sell out while you can,” advises Graney, satirically, on Sellout!. “Now we live in simpler times, and to not take the money and run is the biggest crime of all.”
(Stewart Lee- Sunday Times UK July 2009)www.myspace.com/theluridyellowmist
www.myspace.com/thenativecatsADVANCE TICKETS $12+ BOOKING FEE WWW.MOSHTIX.COM.AU
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A Golden Ticket to meet Tim Burton at ACMI #Melbourne
**Deadline: Friday May 21**
[www.acmi.net.au](http://www.acmi.net.au/burton_tour_guide.htm)Direct from New York’s **Museum of Modern Art**, the exhibition ‘Tim Burton’ is presented as part of Melbourne Winter Masterpieces 2010 from June 24 at ACMI (Australian Centre for the Moving Image). The exhibition explores the full scale of Burton’s career, as director, concept artist illustrator and photographer, through hundreds of artworks that spectacularly illuminate the creative vision behind films such as **Beetlejuice**, **Batman**, **Edward Scissorhands**, **Charlie and the Chocolate Factory**, and **Alice in Wonderland**.
The Australian Centre for the Moving Images – Tim Burton Tour Guide - opportunity is open to under 18’s across Australia. Applications must come in the form of 3 minute videos.
Successful applicants will meet Tim Burton, be inducted by ACMI staff, hear from curators about how he created his art and films, and then take the public on a tour of the exhibition on at least one occasion.
ACMI Screen Events Manager, Helen Simondson, says that applicants should be inventive but also remember that if successful they will have to hold a tour of the exhibition. We want young people to get creative and display enthusiasm and confidence, but we also want them to remember that the best tour guides are informative, interesting and able to speak well on their subject, said Helen. We need to see that you have the skills to be a fantastic tour guide, Knowledge of Tim Burton’s art and films is essential and so, to help budding tour guides, ACMI has supplied a fact sheet of resources on its website.
The application form is available online and must be submitted complete with a link to the YouTube location of the 3 minute application video. It is important both applicants and their parent or guardian read the Application Guidelines before applying. Key in these is that applicants and their guardians must be available to meet Tim Burton in the week commencing Monday June 22 and conduct at least one tour. Each tour will be designed by ACMI staff in consultation with the successful applicant. Successful applicants will take part in a voluntary capacity.
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Don’t forget Women of Letters – curated by Marieke Hardy & Michaela McGuire – March 28th – Melbourne
Bella Union in Trades Hall, Melbourne, Sunday March 28th, 2.30pm
Also raising money for Victorian animal rescue shelter Edgar’s Mission
The first of what will be a monthly event, Sunday will bring together five of Melbourne’s snappiest writers, musicians, politicians and comedians, in celebration of the beautiful lost art of letter-writing.
Angie Hart, Black Text publisher Caro Cooper, the Green Guide’s Lorelei Vashti, Myf Warhurst and Judith Lucy will each read a letter they penned to “The Night I’d Rather Forget.”
Musical interludes by local djs (including The Town Bikes’ Gabby) will keep you amused, and attendees are encouraged to pen short notes to the Women of Letters themselves, which will then be used by Michaela McGuire as points of discussion in a free-wheeling panel chat.
Tickets $10, available at the door.
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Happy Ada Lovelace Day Gurls #adalovelace #polynomial #geekgirl
Ada Lovelace was born Ada Byron in 1815. Though she never met him, Ada was the daughter of the poet Lord Byron.
In 1833 (when she was only 17), Ada met Charles Babbage, the inventor of the Difference Engine. They became lifelong friends, and later, scientific collaborators.
In 1835, Ada married William King, who subsequently inherited a noble title, whereupon Ada became “Ada Byron, Countess of Lovelace.”
Babbage enlisted the Countess’s help in translating the memoir of an Italian mathematician, (Bernoulli) and in the process Ada produced copious notes of Babbage’s Difference Engine. It is for these documents, simply titled “Notes,” that she remains famous today (although probably less so than she deserves). Although she is credited as the “founder of scientific computing,” I would also argue that Ada was the first technical writer.
Ada Lovelace died of cancer in 1852.
Cited: Dunechaser









