geekgirl (r)osiex aka the metal cupcake publishing about interesting things for a really long time!
  • “50 Essential Feminist Films…” [#geekgirl]

    [Image Credit: flavorwire.com]

    [Image Credit: flavorwire.com]

    [From an article at Flavorwire]“It’s no secret that the numbers surrounding women in cinema are dismal. The Playlist recently reported that only 74 of the 271 people invited to join the Academy of Motion Arts and Sciences this year were women. We also know that for every 15 or so male directors, there is just one female director. At the same time, filmmakers of all genders continue to explore new representations of women in cinema. We thought it was time to revisit some essential feminist films (a few classics and several, perhaps, unexpected picks) that deconstruct gender identity, explore issues pertinent to women and their history, and challenge the patriarchy. These films, directed by women and men, have broadened the scope of female representation in cinema.”

  • Call for Papers for Special Issue on Feminism and (Un)Hacking [#geekgirl]

    Journal of Peer Production (JoPP)
    Call for Papers for Special Issue on Feminism and (Un)Hacking

    Editors:  Shaowen Bardzell, Lilly Nguyen, Sophie Toupin

    There has been a recent growth in interest in feminist approaches to
    practices like hacking, tinkering, geeking and making. What started off
    as an interest in furthering representations of women in the technical
    fields of computer science and engineering, often along the lines of
    liberal feminism, has now grown into social, cultural, and political
    analyses of gendered modes of social reproduction, expertise, and work,
    among others. Practices of hacking, tinkering, geeking, and making have
    been criticized for their overtly masculinist approaches, often anchored
    in the Euro-American techno-centers of Silicon Valley and Cambridge that
    have created a culture of entrepreneurial heroism and a certain
    understanding of technopolitical liberation, or around the German Chaos
    Computer Club (CCC).

    With this special issue of the Journal of Peer Production, we hope to
    delve more deeply into these critiques to imagine new forms of feminist
    technical praxis that redefine these practices and/or open up new ones.
    How can we problematize hacking, tinkering, geeking and making through
    feminist theories and epistemologies? How do these practices, in fact,
    change when we begin to consider them through a feminist prism? Can we
    envision new horizons of practice and possibility through a feminist
    critique?

    In this call, we understand feminist perspectives to be pluralistic,
    including intersectional, trans, genderqueer, and race-sensitive
    viewpoints that are committed to the central principles of
    feminism–agency, fulfillment, empowerment, diversity, and social
    justice.  We refer to the term hacking with a full understanding of its
    histories and limitations. That said, we use it provisionally to
    provoke, stimulate, and reimagine new possibilities for technical
    feminist practice. Hacking, as a form of subjectivity and a mode of
    techno-political engagement, has recently emerged as a site of intense
    debate, being equally lauded as a political ethos of freedom and
    slandered as an elitist form of expertise. These fervid economic and
    political ideals have been challenged and at times come under attack
    because they not only displace women and genderqueer within these
    technological communities but, more importantly, because they displace
    gendered forms of reflection and engagement.

    Drawing on a growing community of feminist scholarship and practices, we
    hope to build on this momentum to invite submissions that
    reconceptualize the relationship between feminism and hacking. We aim to
    highlight feminist hackers, makers and geeks not only as new communities
    of experts, but as new modes of engagement and novel theoretical
    developments. In turn, with this special issue, we hope to challenge
    both concepts of feminism and hacking to ask several questions. How can
    feminist approaches to hacking open up new possibilities for
    technopolitics? Historically, hacking discourses center on political and
    labor aesthetics of creation, disruption, and transgression. How can
    feminist theories of political economy push technopolitical imaginaries
    towards alternate ideals of reproduction, care, and maintenance?
    Conversely, we also ask how notions of hacking can open up new
    possibilities for feminist epistemologies and modes of engagement?

    We seek scholarly articles and commentaries that address any of the
    following themes and beyond. We are also interested in portraits,
    understood broadly, of feminist hackers, makers and geeks that help us
    better understand feminist hacker, maker and geek culture. We also
    solicit experimental formats such as photo essays or other media that
    address the special issue themes.

    •        What is distinctive about feminist hacking or hackers?  How
    does feminist hacking practices help create a distinct feminist hacking
    culture?

    •        Why are feminist hacking practices emerging? Which
    constellation of factors help the emergence of such practices?

    •        What do we know about the feminist hacker spectrum? i.e. what
    are the differences among feminist hacking practices and how can we make
    sense of these distinctions?

    •        What tensions in hacking and/or in hacker practices and
    culture(s) come to the fore when feminist, anti-patriarchal,
    anti-racist, anti-capitalist and/or anti-oppression perspectives are taken?

    •        What does feminist hacker ethic(s) entail?

    •        What kind of social imaginaries are emerging with feminist
    hacking and hackers?

    •        What kinds of hacking are taking place beyond the Euro-American
    tradition?

    Submission abstracts of 300-500 words due by September 8, 2014, and
    should be sent to femhack@peerproduction.net.

    All peer reviewed papers will be reviewed according to Journal of Peer
    Production guidelines; see http://peerproduction.net/peer-review/process/.

    Full papers and materials (peer reviewed papers around 8,000 words and
    testimonies, self-portraits and experimental formats up to 4,000 words)
    are due by January 31st, 2015 for review.

  • “Always #LikeAGirl …” [#geekgirl]

  • “Humans of New York” [#geekgirl]

    [Via Imgur]

    [Via Imgur]

  • Beating the Paparazzi [#geekgirl]

    [Via TVPool Buffet]

    [Via TVPool Buffet]

  • “Inspire Her Mind” [#geekgirl]

  • The 101 Vagina Project is Looking For Artists [#geekgirl]

    “The 101 Vagina project is looking for artists who would like to bring their art / music / performance / poetry / education to be included in the exhibition space.

    Opening days/nights of the exhibition tour will play host to a mini Festival of the Vagina. The idea is to bring together local artists, educators, etc together in vaginal celebration.

    The exhibition and event are free for all to attend, though a donation will be sought from attendees to help cover costs like gallery hire etc. 101 Vagina will be covering the cost of the exhibition space etc, so though you may have your work for sale, we ask that you understand that the main focus of the event/exhibition will be the 101 Vagina book and exhibition.

    At the various venues I hope to have some spare wall space for art, floor space for sculpture and performance, etc. Some venues are smaller/larger than others, so I need to work with what’s available.

    Past events have included:

    • vagina crafternoon: make a vagina/vulva out of various crafty materials
    • muff muffins: decorate muffins (cup cakes) with toppings
    • musicians performing vagina songs
    • spoken word and poetry around vaginas and body image in general
    • vagina art and sculptures
    • Vaginal Mary confessional: confess your sins directly to her living breathing vagina under her nun’s habit
    • Speeches by sexuality educators, therapists, politician, plastic surgeon, etc”
  • “A Field Guide to Fifteen #Feminist #Comics” [#geekgirl]

    ["Captain Marvel" By Kelly Sue DeConnick Via Comic Book Resources]

    ["Captain Marvel" By Kelly Sue DeConnick Via Comic Book Resources]

    Comic Book Resources has just complied this *fantastic* listof Feminist Comix (my personal fav is “The Maxx”): “For me, a feminist comic is one in which female characters aren’t just a plot device providing male characters with an opportunity to react. They aren’t a thing to be rescued, fucked, killed and discarded. Feminist comics show women as people, not tits and ass whose stories are only interesting if they’re sexy. Their physical representation should be reflective of their character in a way that makes sense. The way they dress, how their bodies are portrayed — these things aren’t just to entice, but to inform. I have nothing against demonstrations of sexuality, and don’t feel a ‘good feminist comic’ means the boobs are covered, but when a female character is sexualized, it should be relevant to who she is. She should have a story, a purpose and a narrative that portrays her as more than a victim or an object of desire.

    Below, I present fifteen of my favorite feminist comics, a list curated with love. I encourage you to read with curiosity and to challenge your perceptions about what has been the status quo for women in comics. Mostly, I hope you pass this around and add your own favorites to it. After all, we’re a community.”

  • “A #Hackathon Designed By Women, For Women…” [#geekgirl]

    [From this article at Fast Company] “A Hackathon Designed By Women, For Women, To Solve The Gender Gap…Some programming events have become so male-centric that they don’t even have women’s bathrooms. The International Women’s Hackathon looks to get more women coding in a friendlier environment–while working on projects to get even more women coding.”

  • Grace Hopper Says It #Best [#geekgirl]