#Melbourne #Art: Stay Home Sakoku: The #Hikikomori Project Exhibition at West Space #geekgirl

STAY HOME SAKOKU EXHIBITION AT WEST SPACE

eugenia_lim_sakoku

Stay Home Sakoku: The Hikikomori Project is an introverted performance/installation exploring the Japanese phenomenon of hikikomori or ‘shut in’ syndrome. Over one week, Lim lived in a bedroom-style installation within West Space. Although physically ‘on view’ to gallery goers, communication between herself and the outside world occured via a web portal or ‘hiki-site’ through which people can chat with her via smartphones or home computers.

Background

Hikikomori confine themselves to their rooms for months and, in extreme cases, years on end. Without physical contact, hikikomori exist in isolation. Yet, many survive on a diet of pop culture and live a networked existence through an online community of forums, games and chatrooms. Increasingly, through our daily engagement with Web 2.0, we are all becoming networked beings. Stay Home is a project for anyone whose life intersects with technology and the Internet.

Project collaborators are Dan West, Yumi Umiumare and David Wolf. Stay Home Sakoku: The Hikikomori Project is part of the Today Your Love program. Eugenia Lim inhabited the room for one week, however the installation will be on display until 14 April. Eugenia and her collaborators are supported by the Australia Council and City of Melbourne.

http://www.stayhomesakoku.com/

Exhibition runs
Fri 30 Mar –Sat 14 April 2012

EUGENIA LIM (SAKOKU HAS LEFT THE BUILDING)
Live-in performance and online conversation
Thur 22 Mar – Thur 29 Mar 2012

Rayna Fahey’s politically dangerous exhibition – It’s Never Too Late To Mend #radical #craft #Melbourne #geekgirl

it's-never-too-late-to-mend

It’s Never Too Late To Mend – an exhibition of Rayna Fahey’s politically dangerous and exciting application of conscious craft love. A survey of Fahey’s commitment to the radical application of craft through the method of cross stitching.

Editor of radicalcrossstitch.com, co-founder of the infamous Craft Cartel and founder of the Melbourne Revolutionary Craft Circle, Fahey is best known for reclaiming ugly industrial settings and transforming them through conscious craft love.

Her work has featured in exhibitions across Australia, Aotearoa, Sweden and Lithuania. Fahey was also featured in the critically acclaimed documentary, Making It Handmade which screened at the Melbourne International Film Festival and on ABC2.

Making It Handmade will have a special screening at the Incinerator Gallery with its director Anna Brownfield in attendance.

Fahey said her work uses seemingly innocuous craft to communicate challenging concepts about society and our environment, in a thought provoking manner. ”In light of the recent resurgence in the popularity of craft, this exhibition is not only about asking questions about the reasons we craft, but is also a call out to the craft community to strive for excellence in design.

“I am truly honoured to be pressing these discussions in a building connected to such a strong design history of function and beauty.

“The exhibition challenges traditi onal views on the nature of craft and will allow audiences to get a fresh perspective on its use in the 21st century.

“Kitsch and irony have been used by artists for decades to convey their message, but I reject kitsch and instead pay upmost respect to the history and traditions of craft.“

It’s Never Too Late To Mend celebrates ‘domestic arts’ as more than just a passive pastime, showing that conscious craft is an active, intelligent and even politically dangerous craft,” said Miss Fahey.

Just as the Incinerator use to be used for burning rubbish and is now a gallery, Rayna Fahey is using traditional craft to make contemporary statements on the world around us.

It’s Never Too Late To Mend will have a twilight opening on Friday 13 April at 6pm. The exhibition will run until Sunday 13 May.

Making It Handmade will screen on Thursday 19 April at 7pm at the Incinerator Gallery.

Incinerator Gallery
180 Holmes Road
Moonee Ponds VIC 3039
incineratorgallery.com.au

Call for Submissions :: #Siggraph 2012

Siggraph 2012 :: 5 – 9 August 2012  Los Angeles, USA
39th International Conference & Exhibition on Computer Graphics & Interactive Techniques
Call for Submissions :: Various closing dates for different categories
The SIGGRAPH conference and exhibition is a five-day interdisciplinary educational experience including a three-day commercial exhibition that attracts hundreds of exhibitors from around the world. SIGGRAPH is widely recognized as the most prestigious forum for the publication of computer graphics research. In addition to SIGGRAPH’s leading-edge technical program, the conference’s installations provide close-up views of the latest in digital art, emerging technologies, and hands-on opportunities for creative collaboration. Catagories still open for submission include Emerging Technologies (closes 21 February 2012), Panel Discussions and Poster presentations (closes 21 February 2012), Computer Animation Festival (closes 9 April 2012) and Siggraph Dailies (closes 1 May 2012).

http://s2012.siggraph.org

The Body is a Big Place #installation #art #Sydney #geekgirl

Installation by Helen Pynor & Peta Clancy
with sound by Gail Priest

The Body is a Big Place by Helen Pynor and Peta Clancy is a new media commission exploring the fluidity between bodily boundaries inherent to the organ transplantation process, the ambiguous boundary between life and death, and the complex and multilayered responses reported by organ transplant recipients.

November 4 – 26
Opening November 3, 6-8
Exhibition open 10am – 5pm
Performances Mon Nov 7 & 21, 5pm (time may vary)
Performance Space
CarriageWorks, Wilson St Eveleigh/Redfern, Sydney, Australia
www.performancespace.com.au

Subsonic Music Festival__ :: Call for Artists_ #deepspaceelectronicmusic #subsonic #geekgirl

Exhibit & participate in the Subsonic Festival :: Applications close 31 October 2011
Subsonic Music Festival will be held 2 – 4 December 2011 in the picturesque surrounds of Riverwood Downs Mountain Valley Resort, Barrington Tops, Northern NSW. Dedicated to deep space electronic music, Subsonic brings together a line-up of international artists in an immersive, multi-sensory environment with an unconventional edge.  The festival is  looking for creative people (18yrs+) who have amazing, large-scale artwork and crazy roaming performances that they would like to display on the green, verdant landscape of Barrington Tops. These may include sculptors, LED artists, performers, installation artists, painters, graffiti artists, video artists, carpenters and costume designers.  If you are creative but don’t want to submit your own artwork, you can sign up for volunteer art team.
http://www.subsonicmusic.com.[20]au/

Craft Cubed Satellite Event Call Out #craft #HYBRID #geekgirl

Craft Cubed is Craft Victoria’s annual festival. The event promotes experimental, skilled and ideas-based craft and design and provides a broad platform for participation and exchange across the entire craft and design community. Craft Victoria invites applications for national satellite events including exhibitions, installations, open studios, workshops, and other projects that take place during the festival period. The theme for Craft Cubed 2011 is HYBRID. Recognising the fluidity essential to experimentation, the theme will explore collaboration, new technologies, cross-disciplinary practice and emerging forms of craft and design.

The Super Maker project will see The Social Studio transform Federation Square’s Atrium into a magical tent featuring dynamic textile design. The Social Studio is a creative space in Collingwood that incubates fashion design talent from new and emerging migrant communities, creating employment and training opportunities.

Apply here.
Application deadline: 30 April 2011

Artist call out to participate in Splendid #ArtsLab #collaboration #geekgirl

WHO
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Calling creatives of all stripes who have an inquisitive mind, an innovative approach and a desire to collaborate to participate in the 2011 Splendid program.

Splendid is open to artists (under 30 years or in the first 5 years of their practice) who work in the visual arts, theatre, dance, design, installation, architecture, digital media, sound, text and other creative pursuits.

WHAT
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We are seeking the next generation of young and emerging artists to participate in a 3 week intensive residency to dream up ideas
and create work for festival audiences.

The Splendid program offers participating artists opportunities to work collaboratively in a dynamic environment that encourages critical thinking and experimentation. “Splendid is attractive because you are dreaming up ideas while having to apply them to a real life rampaging rock context.” – Willoh S. Weiland, Splendid Artist 2010.

The Splendid program includes a residential Arts Lab, mentorship and opportunities to tour your work to major festivals around the world.

Collaborations and ideas conceived in the Arts Lab may enter a 4 month consultation and development period. Project proposals will then be submitted for presentation at Splendour in the Grass 2012.

The Lab will be facilitated by leading local and international artists including Fernando Llanos (Mexico – video art), David Clarkson (innovative physical theatre), Natalie Jeremijenko (USA - environmental art & design), Craig Walsh (site-specific projections), Paul Gazzola (Berlin – collaborative practice), Técha Noble, The Kingpins (art direction and performance) and more. Successful applicants to the 2011 Splendid program will:* Attend the Arts Lab from Monday 25 July to Friday 12 August, 2011.

* Participate in artist talks and a festival symposium.
* Receive tickets to Splendour in the Grass 2011.
* Submit a concept proposal for a new work to be commissioned by
Splendour in the Grass.
* Be given a fee to cover accommodation, travel and incidentals.

Still unsure of what we’re about? Come along to one of our briefing sessions. Meet people who have been through the Splendid program. We’ll let you know what Splendid is, why we do it and what we’re looking for from artists around the country. Find out when we’re visiting your city [http://www.splendid.org.au/events.shtml].

WHERE
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The 2011 Splendid Arts Lab residency will take place over 3 weeks in Lismore, NSW and the surrounding (rainbow) region and will include attendance at Splendour in the Grass at Woodfordia, QLD.”Different regions inspire people in different ways and to
escape the city and work in the country where the stories are different and the landscape is bigger can often be an inspiring change for artists.” – Julian Louis, Artistic Director of NORPA (Northern Rivers Performing Arts) and producing partner of Splendid.

WHEN
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Monday 25 July to Friday 12 August 2011

HOW
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Complete the Splendid 2011 Application Form. Download it HERE
[http://www.splendid.org.au/documents/application_form.pdf].

Elusive Light exhibition #WA #wabi-sabi #arts #geekgirl

Elusive Light by Stephen Armitstead & Lia McKnight…Exploring many meanings of the word light, using objects, photography, video and sound.

Exhibition runs until 10 April 2011. Artist talk 2nd April.
Heathcote Museum & Gallery (Western Australia)

elusive-light

This exhibition of work by Lia McKnight and Stephen Armitstead is about turning glimpses into long looks. It is about finding beauty in the fragile and transitory, and then trying to hold it for long enough so everyone can see it. It is about revealing the contradictions between our aesthetic observations and their ultimate expression as art. At the heart of all art practice that gives form to ideas there are contradictions They are the intractable relationship of opposites that are at the centre of our attempts to unravel what we observe and then explain to the world.

Light is at the heart of this exhibition, but not the constant, steady illumination that we associate with naturalistic painting. In naturalism the assumption is that the world is stable and ordered and that art’s great task is to reveal that to us. Naturalism emphasises the solidity of objects, their permanence, and by implication, their authority; but as soon as one grasps the artful contradictory fiction of naturalism – for the world isn’t stable and permanent – we are free to explore other ways in which the complexities of the world can reveal themselves. This exhibition encourages us to look at the world differently, to appreciate the seemingly inconsequential and to gain pleasure in unravelling how we have learned to look. It is in this way that we can re-imagine how the world can be understood.

The artists have drawn widely on a set of experiences about ideas and materials that are contemporary, but a contradiction of art making is that the present can be understood by looking backwards over its shoulder at what happened in the past. A thousand years ago in China, the poet and critic Su Shi wryly observed the futility of trying to understand the value of art in terms of how it did or didn’t resemble the world.

For Su and others like him, the world had to be transformed by the artist through a work of art that revealed how the artist had been touched, physically and emotionally, by the world. This is a contradiction as big as naturalism’s but it gives us another perspective on how to understand how McKnight and Armitstead are working. McKnight has been drawn to the Japanese aesthetic of Wabi-sabi where beauty is found in the fragility and transience of the materials and the combination of hopefulness and sadness.

Invisible by Night – Part of the Mortality Exhibition at ACCA #Experimenta #Melbourne #mortality #geekgirl

Sydney artist Lynette Wallworth was commissioned by Experimenta in 2004 and this year is part of Mortality, an exhibition showcasing some of the world’s leading artists who explore life’s journey from the moment of lift-off to the final send-off, which is being presented by Melbourne International Arts Festival and the Australian Centre for Contemporary Art (ACCA). Invisible by Night is an interactive projection that evokes the personal stories of the people interred at Melbourne’s Princes Bridge Morgue (where the Melbourne Visitors Centre now stands) between 1871 and 1888.

runs until – 28 November, 2010
Australian Centre for Contemporary Art
111 Sturt Street, Southbank, VIC
FREE!

epi-thet AT MELBOURNE INTERNATIONAL ARTS FESTIVAL #mixedmedia #geekgirl

EXPERIMENTA PRESENTS

epi-thet, by Melbourne artists Madeline Flynn, Tim Humphrey and Jesse Stevens, is a mixed media sound installation activated by the audience.  epi-thet uses data from public domain genetic databases to create sound and image. Using an algorithm that maps data from the genetic process to sound parameters, and information drawn simply from posture, a composition unique to  each individual participant is created.

Within the cavernous space of the Meat Market, three microscopes sit on platforms waiting for the audience to bring them to life. Hidden within each microscope is a tiny animation, an enticing assembly of images and words that we use to describe ourselves and each other. By approaching the platforms, audience members activate their own captivating sound and light experience that is created from the viewer’s height and posture. Just as our genetic makeup determines what makes us individual, how we move as individuals affects how we experience the intriguing work epi-thet.

Inspired by an ANAT Synapse Residency with Dr Shane Grey at the Garvan Institute of Medical Research in Sydney, musicians and composers Madeleine Flynn and Tim Humphrey have been working since 2008 on the sonification of research data, making it possible to hear as well as see a representation of the genetic process.

Experimenta is pleased to present this project as part of the
Melbourne International Arts Festival

Arts House, Meat Market
5 Blackwood Street
North Melbourne, 3051
until Saturday 23 October, 2010
1pm – 9pm. FREE!