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Birthday Suit – the Winter 2010 #fashion offering from the #Kingpins
The Emperor got around in his birthday suit when two sneaky weavers promised him the finest suit of clothes from a fabric invisible to anyone who was an incompetent ninny. Ninny he was – not because he couldn’t see the fabric, but because he trusted a pair of mimes. Mimes are creepy, everyone knows that.
This Birthday Suit collection is the opposite of invisible. Where some collections have one story behind them and others have none, the Winter 2010 offering from transgressive drag all-femme improv group The Kingpins has about five different narratives underpinning its hitched full petticoats, butterfly ikat prints and trademark catsuits. It’s wild west crossed with ancient tribal and a touch of S&M.
Hitting the racks this week, get your hands on the Smokin’ silk tee , or the teal corduroy jumpsuit and you’ll guarantee your crown jewels are well and truly covered with the most outlandishly stylish of threads. You’re no ninny in the nuddy.
Source 2000
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Snapshot – ‘Darlinghurst Eats Its Young’ – part of the Left Coast Festival
Thursday, May 20, 2010
6:00pm – 8:00pm
SEDITION-the barbershop
275 Victoria St Darlinghurst
Sydney, Australia
View MapDescription
“The past is a foreign country: they do things differently there”
– LP Hartley, The Go-BetweenBig hair, big pants, and long gone buildings.
Recently a friend put up a lot of scanned photos on Facebook. They were all of Sydney in the 80s. The hair, the clothes, the look of the past; they got a lot of attention from people, some just liked the aged look of old photos, the look you cant get with digital pics.
Why do people load old fashioned ring tones for their iPhone?
What is it that makes people nostalgic for an era they didn’t know?
What makes the look and sounds of ‘analogue’ so appealing?The snapshots on show at SEDITION show a pre digital version of an almost disappeared city. A Sydney of cheap housing; a Sydney yet to be gentrified.
Come and check out the installation in SEDITION’s window – a scrolling view of images courtesy of Maggie Woods, David Art Wales, Miranda Douglas, Bruce Carter, Rohan Glasgow, Mandy Vuksanovic and you…?
IF YOU HAVE ANY SNAPSHOTS OF INNER SYDNEY IN THE 80s and you’d like to exhibit them as part of Snapshot@The Left Coast Festival contact prestonm@tpg.com.au
…and appearing live The NOISE will be performing from 7pm
Snapshot is a part of the Left Coast Festival – (12th May – 30th June) being held at Sedition barbershop on Victoria St. -
#Dogs Dressed As Superheroes: Saving The World With Cuteness
Life would much easier if dog superheroes existed. We’re not saying it would be perfect, but we think the world would be a safer place if dogs were out there saving lives (and digging holes with super-canine speed). To bide the time until that day comes, we’ve collected some of the cutest superdogs we could find. We know that some of these aren’t technically superheroes in the classic sense, but c’mon, they’ve got funny costumes on. Now’s not really the time to get nitpicky.
Source: Huffington Post
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Ada Lovelace by @emcee #emcee
This is cool I stumbled across it today.
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@Alex Burns, the man is a beast!
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Get your kit off with Spencer Tunick – Opera House – March 1st, 2010. #naked #fb
Internationally renowned artist Spencer Tunick has revealed that he will create an
installation using thousands of nude Australians on the steps of the iconic Sydney Opera
House on the morning of Monday 1 March.The artist is calling on all Australians interested in taking part to register immediately
at The Base to reserve a place.Tunick’s installation, called ‘The Base’, will be one of the highlights of this year’s Sydney Gay and Lesbian Mardi Gras Festival. Participation in the art installation however is
open to all Australians, regardless of sexuality. All nude volunteers will be rewarded with
an official Spencer Tunick photograph of ‘The Base.The US-based artist is the man responsible for gathering people by the thousand and getting them to strip, en masse, in the name of art. Using a sea of naked bodies as his medium, he moulds his groups of willing volunteers into abstract shapes, in various forms and locations, before capturing it on film. He’s attracted huge crowds the world round,
including 7,000 in Barcelona, and 18,000 in Mexico City.Less is more - Spencer Tunick
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Diturbing pics of snowman, wow this is shockin’!
If you’re building a snowman, you’re going to need the essentials: a carrot, a scarf, a bucket of blood. While the last one may seem unusual to most, it’s a key component to the sculptors of these disturbing snowmen. Well, that and a twisted mind.
From the (sic) minds of Huffington Post (more pics).
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The Walkleys, photography, artwork and cartoon finalists
The outstanding work of this year’s Walkley photographic, artwork and cartoon finalists can be seen at http://www.walkleys.com/gallery/468/ Photographic finalists will be will be on show at Australian Centre for Photography in Sydney until November 21.
Also coming up at APC.


PANEL DISCUSSION
Access All Areas
6—8pm Thursday 5 November
Free AdmissionWhether you are photographing subcultures, celebrities, or people on the street, negotiating access can be the most difficult part of a photographer’s work. Photographers working across a range of disciplines discuss the complexities of getting access, from legal issues to cultural sensitivities and other tricks to open doors.
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How To Make Trouble And Influence People. Book Launch at TINA
Pranks, hoaxes and political mischief making from across Australia!
Breakdown Press announces the publication of How To Make Trouble and Influence People! You may still have a copy from the original series of infamous zines in your toilet library, but this expanded version will set your troublemaking heart on fire.
Featuring over 300 colour photographs, interviews with some of our most loved troublemakers and of course tales of Indigenous resistance, convict revolts and escapes, picket line hi-jinks, student occupations, creative direct action, media pranks, urban interventions, squatting, blockades, banner drops, street theatre and billboard liberation, the collection reveals the vital history of creative resistance in Australia.
Written and researched by Iain McIntyre the new edition features interviews with The Chaser, Buga-Up, Kevin Buzzacott, John Safran, Pauline Pantsdown, Dave Burgess, Meredith Burgmann, Deborah Kelly, Order of Perpetual Indulgence, Stuart Highway, John Howard Ladies’ Auxiliary Fan Club, No To Pope Coalition and The Graffiti Games Organising Committee.
As McIntyre says in his introduction, “These tales and images also serve to remind us that political activity need not be a predictable and grim slog. As well-resourced as our opponents may be, they are vulnerable to the use of creativity, solidarity and humour. Indeed, these are often the only tools we have.”
For a sneak preview, check out http://howtomaketroubleandinfluencepeople.org
To purchase a copy, visit www.breakdownpress.org
Or come along to one of the launches featuring special troublemaking guests:NEWCASTLE LAUNCH: Saturday the 3rd October at This Is Not Art Festival, The Festival Club (Mason’s) cnr King and Thorn Streets, Newcastle 4.30pm-6pm with Iain McIntyre and Dave Burgess (who painted No War on the Opera House, 2003).
MELBOURNE LAUNCH: Thursday 5th November at the Bella Union Bar, Trades Hall, Victoria and Lygon Streets 6pm-8pm with Iain McIntyre and a special guest appearance by the John Howard Ladies’ Auxiliary Fan Club.
SYDNEY LAUNCH: Saturday 5th December at The Red Rattler Theatre, 6 Faversham St Marrickville 8pm-midnight with Iain McIntyre and Dave Burgess plus music by Lee Memorial, The Kleber Claux Memorial Singers and NinetyNine.
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See Salvador Dali before he melts away
13 June to 4 October 2009 – Salvador Dali – Liquid Desire – More than 200 works including painting, drawing, watercolour, etchings, jewellery, sculpture, fashion, cinema and photography. The exhibition aims to trace Dali from his earliest years as a 14-year-old Impressionist painter to the final paintings, which address science and physics and which were created when the artist was in his seventies.
Open Wednesday to Monday from 10.00am to 5.00pm at the National Gallery Victoria International, 180 St Kilda Rd, Melbourne. During the Salvadore Dali exhibition the National Gallery Victoria International is open until 9.00pm on Wednesdays for art after dark.









