“Why #patriarchy fears the scissors…” [#geekgirl]
[From this article at The New Statesman] “My own “game” hasn’t suffered at all from having short hair, and it’s a really good way of filtering out the douchecanoes. Neo-misogynists tend not to want to sleep with me, date me or wife me up however I wear my hair, because after five minutes of conversation it tends to transpire that I’m precisely the sort of mouthy, ambitious, slutty feminist banshee who haunts their nightmares, but if I keep my hair short we tend to waste less of each other’s time. If you’ve a ladyboner for sexist schmuckweasels, short hair isn’t going to help, although they might let you administer a disappointing hand-job.
But if you want to meet men as equals, if you want to fill your life with amazing men and boys as lovers, as life-partners, as friends and colleagues who treat women and girls as human beings rather than a walking assemblage of “signs of fertility” – believe me, they are out there – then I wouldn’t start by changing your hair. I’d start by changing your politics, and surrounding yourself with people who want to change theirs, too.”
Announcing “#PRISOM”, A Synthetic Reality Surveillance Game [#geekgirl]
So we (meaning Mez Breeze Design) can finally let the (Schrödinger’s?) cat out of the very tightly zipped bag: we’re *extremely* excited to officially announce our latest co-production with Dreaming Methods: “#PRISOM“. #PRISOM is a Synthetic Reality Game where a player is set loose in a Glass City under infinite surveillance. Will you be brave enough to enter?
The project is making its début at (and is funded by) the “MARart4 Transreal Topologies Exhibition” as part of #ISMAR2013, the International Symposium on Mixed and Augmented Reality in conjunction with SA Uni’s Wearable Computer Lab. So if you’re keen to don a HMD (Head-Mounted Display) and throw yourself into #PRISOM, head to the Adelaide City East Campus of the University of South Australia on October 1-4th.
Coat Made Entirely of Male Chest Hair [#eww] [#geekgirl]
“We doubt if a phone call to PETA would result in a protest response to a new “fur” coat made entirely from millions of male chest hairs (yes, it’s true and no, men were not injured in the making of this product). UK dairy company Arla commissioned the coat for a series of parody advertisements in support of a new chocolate milk drink aimed at men for the brand Wing-Co. The “Man-fur Coat” is said to be “a wake-up call for the nation’s gents. A way to encourage them to readopt the values of assured ‘men’s men’ from yesteryear who would laugh nonchalantly in the face of adversity and be proud of their abundant manliness”.” [Via ecouterre]
Do You Detest Monsanto As Much The Next Reasonably Lucid Person? If Yes…. [#geekgirl]
…then this is for you:
Monsanto, a titan of the emerging biotech industry, has come under attack from environmentalists, agriculturalists and average consumers over the company’s conduct in the realm of genetically-modified organisms and genetically-engineered foods. Despite research on the effects of GMO crops being largely considered inconclusive, Monsanto has lobbied hard in Washington and around the globe to be able to continue manufacturing lab-made foods without the oversight that many have demanded.
In March, Congress passed a biotech rider dubbed the “Monsanto Protection Act” by its critics that essentially allows that company and others that use GMOs to plant and sell genetically-altered products without gaining federal permission.”
#Donkey Kong: Pauline Edition [#geekgirl]
“My three year old daughter and I play a lot of old games together. Her favorite is Donkey Kong. Two days ago, she asked me if she could play as the girl and save Mario. She’s played as Princess Toadstool in Super Mario Bros. 2 and naturally just assumed she could do the same in Donkey Kong. I told her we couldn’t in that particular Mario game, she seemed really bummed out by that. So what else am I supposed to do? Now I’m up at midnight hacking the ROM, replacing Mario with Pauline. I’m using the 2010 NES Donkey Kong ROM. I’ve redrawn Mario’s frames and I swapped the palettes in the ROM. I replaced the M at the top with a P for Pauline…”
Last Words – a group exhibition that explores language, knowledge and communication #australia #asia
Split over two exhibition periods and featuring artists from Australia and the Asia region, Last Words is a group exhibition that explores language, knowledge and communication in an age of cultural diversity and globalisation. It is the culmination of a series of mid-career solo exhibitions and performances, which 4A has undertaken throughout 2010 that tackle ideas of communication.
When we talk about our contemporary locations, they are increasingly defined by the interaction of local, national and global references. It is a world that is undergoing constant change and expansion, where culture, geography and traditional forms of identification are neither consistent or certain. What happens when our boundaries – geographical, psychological, physical and cultural – dissolve? How, then do we articulate history, politics, where and how we live?
Last Words aims to set up a discourse around the ways in which meaning is constructed in a time of uncertainty, through artworks which act as a catalyst for reflection on the contemporary world.
A publication documenting the Last Words project will be available later in the year.
Artists in this exhibition include: Alfredo and Isabel Aquilizan, Eric Bridgeman, Zhang Ding, Hikaru Fujii, Archie Moore, Shen Shaomin.Starts: Thursday, July 15, 2010 at 12:00amEnds: Saturday, August 28, 2010 at 3:00amLocation: 4a Centre for Contemporary Asian ArtStreet: 181-187 Hay StreetSydney, Australia
Teleportation Device Request for _Game of War Weekend_?
Consider this official: I totally *need* one of you luverly Geekgirlers to create a Teleportation Machine so I can get to this bangin’ event:
“On Saturday the 26th, Class Wargames presents ‘Marcel Duchamp meets Blue Peter’, a day of making and playing Guy Debord’s The Game of War.
Sunday is the World Premier launch of the Class Wargames’ film – The Game of War. Directed by Ilze Black; script writers Richard Barbrook and Fabian Tompsett; xenography by Alex Veness, voice over by Hayley Newman and Alex Veness.
For more information about Class Wargames and players:
[All teleportation device donations gratefully accepted. K-thx-bai;)]
Kurt Vonnegut Explains Drama
I always knew Kurt Vonnegut produced incredibly awesome fiction: turns out he’s also a truly pragmatic behaviouralist/visionary [+ yup the two *can* go together]. Take, for instance, his reasoning on how the average joe [+ jane] may just form a slightly whackjob set of perceptions centred around interactions with others + associated notions of “drama”:
“People have been hearing fantastic stories since time began. The problem is, they think life is supposed to be like the stories…because we grew up surrounded by big dramatic story arcs in books and movies, we think are lives are supposed to be filled with huge ups and downs! So people pretend there is drama where there is none.”
Read more [with spiffo graphs] @ Derek Sivers’ blog.
Interspecies: Artists Collaborating With Animals
If there was ever an event after my own heart, it’s one that marries concern for animals with creativity:
“Interspecies asks: Can artists work with animals as equals? If not, what is the current state of the human-animal relationship? It has recently been shown that humans are closer to the higher primates than previously thought, with chimpanzee and gorilla behaviour reflecting politics, deception and even possibly creativity. What does this mean to the way we see ourselves as one species inhabiting a planet in crisis? Interspecies uses artistic and participatory strategies to stimulate dialogue and debate, showing artists in contact with real animals and negotiating a new power relationship, questioning the way we view our interactions with animals during Darwin’s anniversary year.”
Interspecies has a whole shebang of London-based events planned for early October including: exhibitions, symposia, workshops and outings. Artists include: Nicolas Primat, Antony Hall, Kira O’Reilly, Ruth Maclennan, Beatriz da Costa, Rachel Mayeri + Snæbjörnsdóttir/Wilson.
Take Off Your Skin (TOYS)
Take Off Your Skin (TOYS): A Replication Project
Produced by Melbourne Fringe + WELL Theatre + FULL TILT
Japanese dance artist Yasuko Kurono is a replication artist: she uses “clones” of herself to stage public-oriented dance performances [sounds quite trippy, huh]. Kurono, who has been engaged in events like these since 1999, wants Melbournites to join in one such viral performance event during the week prior to Friday 2 October:
“Be a part of TOYS – a large public art performance. Join 100 performers and 20 assistants as we take over the streets of inner city Melbourne for one afternoon. We’ll even dress and preen you for the occasion. All you need to bring is enthusiasm.
To join us:
- Read the information here about the different performer and assistant roles.
- Fill in the form to let us know which part you want to play.
Then we’ll let you know all the details shortly.
If you have any queries, contact Producer Kath Papas at Melbourne Fringe before you register phone 9660 9600 email firstname.lastname@example.org.”