[Image credit via northeastofnorth]
Re-curated for the Hannah Maclure Centre at the University of Abertay, it brings together artists across different generations in a survey of art that critically reflects on the creative use of technology: its developments and limitations.
Coded After Lovelace offers a survey of art that critically reflects on the creative use of technology, its development and limitations. From the room-sized computers of the Bell Labs era to the tablet-based work of today, this exhibition explores works incorporating emerging technologies into artistic practice. Coded After Lovelace creates a new lineage across artists of different generations.
The exhibition seeks to bring greater visibility to the work of women artists who have often been left out of histories of art and technology.”
Bum pad, ca. 1877 2010.1.2 From the Dovie Horvitz Collection / UW Digital Collections
[Via “Bum pads, cockade feather fans, petticoats, talcum powder tins, postcards depicting the “10 Commandments for Wives,” and garters made by prisoners. The breadth of the Dovie Horvitz Collection reflects the lives and progress of women over the last two centuries – exactly what the collection’s namesake intended.
“Everything from the artwork, to the post cards, to the clothes, even the makeup all tells a story,” Horvitz said. “I look back now and think of how extraordinary the transformation has been. This isn’t about showcasing celebrities. It’s about the day-to-day lives of ordinary women.”
Now, more than 1,300 images and scanned texts of items in Horvitz’s are available through the University of Wisconsin Digital Collections site. While the collection is new to the site, it actually is decades in the making.”
