05 AM | 08 Feb

The Gentle Strains of Laptops

 

Videos provide a visual complement to the futuristic sounds of Tokyo's Laptop Orchestra.

Videos provide a visual complement to the futuristic sounds of Tokyo’s Laptop Orchestra. (Kennedy Center)

No one will ever confuse Tokyo’s Laptop Orchestra with the Duke Ellington or Count Basie orchestras.

Swing will not be the thing at the Kennedy Center’s Theater Lab when the delicate sounds of musician Ko Ishikawa’s sho, a traditional bamboo mouth organ, are sent to a sextet of serious-looking musician/programmers (it’s still early for titles in this emerging art form) perched at laptops on stage. They will transform the sho’s tones into something that sounds sci-fi futuristic yet as timeless as the song of the humpback whale.The performance, “1[000] Breath[s],” is part of the Kennedy Center‘s “Japan! Culture + Hyperculture” festival. As with much in experimental music, it’s sometimes easier to listen to and show than to describe; thankfully, YouTube has excerpts of the Laptop Orchestra performing this very piece in Tokyo in 2006.

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05 AM | 08 Feb

Trumpeting the Modern Robot

Robots that recognize your voice or remember what you look like. Robots that play musical instruments. Robots that shake your hand and know up to 10,000 words — in Japanese.

All of these futuristic creatures and more are on display in “Robotopia Rising,” a high-tech part of the Kennedy Center‘s “Japan! Culture + Hyperculture” festival.

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05 PM | 03 Feb

Roles to Make or Break

WHEN: Saturday February 2-9/08  (Thur-Sat 11-5)

WHERE: DON’T LOOK Experimental New Media Gallery 419 New Canterbury Rd (Near Marrickville Rd), Dulwich Hill, Sydney

CONTACT: Greg Shapley – Ph: 0401 152 434 EMAIL: dontlookgallery@gmail.com WEB: myspace.com/dontlookgallery

ROLES TO MAKE OR BREAK – Sari TM Kivinen

Can reality reproduce perfection? Will perfection shatter at its own reflection?

In her exhibition, “Roles to Make or Break”, Sari TM Kivinen challenges the roles that are faced in the mundanity of everyday life; roles that are imposed by gender, family, society.

“Mimic” is a work that centres on the determination to fulfill a role and breaking free from a role through destruction. In this work, Kivinen attempts to mimic perfectly two ceramic faces in one video piece, and in its stark counterpart, destroys them.

“Self Determined” is an intensively created work, developed from two hours of video footage in which the artist, in front of the camera, sat alone, read books, played games, listened to music, watched television and ultimately, drank a bottle of red wine. The final result on film is only the aftermath of this binge, an erratic but intimate episode of self destruction.  “Self Determined” explores the pressures of fulfilling roles and the desperation for distraction that ensues, such as alcoholism.

Kivinen practices as a performance artist, but has produced art in various mediums, including many works in the video art medium. Kivinen has previously performed at Don’t Look Gallery under one of her three personas that have been the basis for many of her works over four years. Kivinen’s exploration of roles and performance in her current exhibition takes a different direction, creating an intimate and confronting experience for those who seek it.

05 PM | 03 Feb

PERVASIVE PERSUASIVE TECHNOLOGY CONFERENCE

SYDNEY – Workshop to be held on Pervasive Persuasive Technology and Environmental Sustainability at the 6th International Conference on Pervasive Computing in May.

Environmental sustainability and climate change are issues which must no longer be ignored by anyone, any industry or any academic community. The pervasive technology, ubiquitous computing and HCI community is slowly waking up to these global concerns. The Nobel Peace Price 2007 was awarded to Al Gore and the Intergovernmental Panel on Climate Change (IPCC) for their efforts to build up and disseminate greater knowledge about man-made climate change, and to lay the foundations for the measures that are needed to counteract such change. The citation highlights the urgency of the fact that information and awareness around causes and implications are necessary but not sufficient to combat climate change. Action is required.

The workshop will address key issues of environmental sustainability and the roles of communications technologies. Prospective participants are to submit a position paper (2-4 pages total, in English, .doc, .rtf or .pdf file formats) related to one of the workshop topics to Marcus Foth at m.foth [AT] qut.edu.au by January 25, 2008.

All workshop participants will need to register for the conference. Conference: May 19-22, Sydney http://www.urbaninformatics.net/green/

05 PM | 03 Feb

FLASH ART INTERNATIONAL # 258

January – February Issue

For the January – February 2008 issue, Flash Art International lands on planet India. Focus India seeks to map out the contemporary art scene and discover its major protagonists. In his introductory essay to this survey, Paris-based art critic and curator Deepak Ananth addresses the work of 6 established Indian artists: N.S. Harsha, Jitish Kallat, Sharmila Samant, Vivan Sundaram, Sheela Gowda and Subodh Gupta. Pooja Sood’s essay presents us with a survey of young and talented artists working with performance (Nikhil Chopra) photography (Rohini Devasher) and multimedia (Ashok Sukumuran and Shaina Anand, Ravi Agarwal, Ayisha Abraham and Abishek Hazra). The 31-year-old artist Shilpa Gupta, interviewed by Suman Gopinath, reflects on the use of new media in her latest works. In his interview with Martijn van Nieuwenhuyzen, filmmaker Amar Kanwar talks about his new work, which deals with military dictator ship in Burma.

Solo show reviews include: Gert & Uwe Tobias, Mariko Mori, Carlos Amorales, Mary Heilmann, Slater Bradley, Ian Kiaer, Duncan Marquiss, Luisa Lambri, Charlotte Posenenske, Joanne Tatham & Tom O’ Sullivan, Mathieu Mercier, Mark Leckey, Job Kolewijn, Ian Tweedy, Konstantin Kakanias, Enrico Morsiani, Gino De Dominicis, Yael Bartana, Jordan Wolfson, Lorenzo Scotto di Luzio, Shirin Neshat, Jean-Luc Moulène, Sean Snyder, Teresa Margolles, Noriko Yamaguchi.

Flash Art International info@flashartonline.com http://www.flashartonline.com