11 AM | 28 Jan

Freewaves’ 11th Festival of New Media Arts

HollyWould… Freewaves’ 11th Festival of New Media Arts

Submission Deadline: February 29, 2008.

Freewaves’ HollyWould… festival will take place in October 2008, in the perceived world capital of media on Hollywood Boulevard. We are looking for INTERESTING WORKS THAT REPRESENT AN ALTERNATIVE TO MAINSTREAM MEDIA or directly relate to Hollywood.

Selected festival works will be installed in this urban hall of mirrors in screening rooms, art centers, stores, vacant walls intersecting with audiences where they live, recreate and shop.

Media art works include experimental videos and films (narrative, documentary, art, animation, etc.), cell phone videos, DVDs, websites, simple installations, wifi events, images for moving signs and silent video billboards. Works from the festival will also appear on television and video-streamed on the Internet with artists’ permission.

Competitive selection process will be conducted online by a group of international and local curators with a range of specialties and backgrounds. – Work must be completed since January 1, 2005. – Notification of acceptance is in July 2008. – Artists will be paid $100-$200 for selected works.

For submission details, online entry form and Hollywood Boulevard photo gallery, see: http://ent.groundspring.org/EmailNow/pub.php?module=URLTracker&cmd=track&j=186297133&u=1873068

Contact: anne@freewaves.org and http://ent.groundspring.org/EmailNow/pub.php?module=URLTracker&cmd=track&j=186297133&u=1873069

Anne Bray Freewaves 6522 Hollywood Boulevard Los Angeles, CA 90028 USA

11 AM | 28 Jan

Timecapsules – ABC GALLERY – Film Programme – February

ABC GALLERY 127 Campbell St Collingwood Melbourne 3066

1ST FEB Experimental Music Documentaries

Two BBC Four documentaries exploring the life works of composers who have helped re-invent music in the 20th century.

The Outsider / 2007 – 60 min Harry Partch was a celebrated young American composer whose mission was to bury classical musical conventions such as its notation, scales, and even its instruments. He constructed his very own orchestra replete with instruments with which to pursue his unique micro-tonal composition. Partch’s career was railroaded by the Depression, throughout which he became a Hobo; drifting the continent for 10 years, only returning to his work in the 50’s.

Alchemists of Sound / 2007 – 60 min Dick Mills, Delia Derbyshire and Brian Hodgson were amongst numerous sonic experimenters, composers and engineers who worked at the BBC Radiophonics Workshop from 1958 til 1995. Hand-crafting sounds for such films, television and radio shows as “Quatermass”, “Doctor Who”, “The Goon Show”, “Hitchhikers Guide to the Galaxy” and “Blake 7”. In the process they contributed immeasurably to the development of electronic and electro-acoustic sound.

8TH FEBRUARY Danger Diabolik – Mario Bava / 1968 – 99 minutes An adaptation of the popular Italian comic book “Diabolik” which details the exploits of a master criminal who plunders both government and organised crime syndicates alike. John Philip Law who played the blind angel in Roger Vadims’ “Barbarella”, sheds his wings and slips effortlessly into the black rubber and leather skin of an erotic demon. Most definitely a superior comic book adaptation than “Barabrella”, Bava eschewed excessive dialogue and kept to the style of the graphic novel. Like Louis Feulliades “Fantomas” films which inspired the original Diabolik character, “Danger Diabolik” gleefully revels in the pleasure of crime and destruction, without any recourse to moralism.

15TH FEBRUARY Kurotokage & (Black Lizard) – Kinji Fukasaku / 1968 – 88mins Screen-written by Yukio Mishima and directed by the man who brought us “Battle Royale”, “Kurototage” features transvestite actor Akihiro Maruyama, (now a voice behind Hayao Miyazaki’s animations) and music by Isao Tomita. “Kurotokage” is a parallel of the same impious spirit and excess as “Danger Diabolik”, and was released the same year. The Black Lizard is a female arch fiend who has set her eyes on the great jewel the “Star of Egypt”, and kidnaps the daughter of its owner. Tormented by her own fading beauty she is obsessed with the eternal beauty of her shimmering prize. A cat and mouse game between the Black Lizard and the detective hired to save both daughter and diamond evolves into a type of seduction culminating in increasingly bizarre scenarios. The Black Lizard turns those whom she seduces into preserved artefacts that she can enjoy forever… 22ND FEBRUARY Boom! – Joseph Losey / 1968 – 110 mins Joseph Losey was blacklisted by McCarthy’s HUAC for communist leanings and relocated to Britain using pseudonyms to release films in his native country. His work ranged from the acclaimed “The Servant” through to the maligned “Modesty Blaise”. “Boom!” (so aptly named after the crashing of waves on rocks) is perhaps the greatest blooper of his career, but that doesn’t stop it from being a pure comical gem. This insane rendition of “The Milk Train Doesn’t Stop Here Anymore” by Tennessee Williams features Elizabeth Taylor, Richard Burton and Noel Coward as “the witch of Capri”. Outrageously pretentious, overblown and over-dressed, this film is considered one of the greatest flops of the 1960’s, earning back a fifth of the money spent on it and becoming almost completely buried. “Boom!” was performed and shot by a cast and crew of drunkards… which only partially explains its psychotic qualities. John Waters has extolled it as his biggest inspiration, and has lecture-toured with it right across the world. 29TH FEBRUARY Best of Looney Toons / 120 mins DJ Delay brings a collection of his favourite animations from his personal collection, this time in their entire original sonic glory. Stay tuned for more details…

10 AM | 28 Jan

BarCampMelbourne 2008 is go!

*** YOU MUST REGISTER IF YOU INTEND TO COME * * If you do not register and turn up we could get a * little crowded and you might not get any food! * * http://barcampmelbourne.org/ * *********************************************************************

Described as “an intense event with discussions, demos and interaction from attendees”, anyone is welcome to come along for free. Everyone is asked to participate by giving a presentation or leading or participating in a discussion, essentially forcing the sharing of ideas and knowledge. You might like to check out the BarCamp web site for more general information. Wikipedia’s entry on BarCamp might also be of interest.

What to expect? ~~~~~~~~~~~~~~

Turn up for 9am registration and put your name on the list. Talk to people, network. We’ll have a welcome / intro type talk at about 9.30am and get into the demos, discussions, talks after that.

What to bring? ~~~~~~~~~~~~~

Anything you might need for yourself. We’ll have lunch for everyone, but you might want to bring your laptop, computers and other tech stuff that might be cool, interesting, useful in your demo.

NOTE: The organisers are not responsible for your equipment or other items you bring. You bring them at your own risk.

Where? ~~~~~ BarCamp Melbourne 2008 will be held on the 23rd of February at ThoughtWorks, Level 11, 155 Queen Street, Melbourne, VIC 3000, Australia

10 AM | 28 Jan

TASMANIA- MOUNTAIN FESTIVAL

The Mountain Festival is a community festival centered around Mt. Wellington in the South East of Tasmania. The Mountain Festival presents an international film festival showcasing a diverse approach to living and interacting with mountains around the world. The four-day Mountain Film Festival will be held from Thursday 13 March until Sunday 16 March 2008 and will include evening and matinee sessions.

Check the Day by Day program for all event listings. Additional detail about some events is supplied in the Special Events Section ( SE) or check the additional Film Festival Program (FFP).

WEB: www.mountainfestival.org/events DATES: Friday 7 March 2008 – Monday 24 March 2008